When I get in my car and stick the charger cable into my phone, connecting the technologically outdated ten year old car with the state of the art Apple iPhone, the one thing I can count on is that if a connection is made, what will play is the song 1989, by the band Clem Snide. The opening line is, “Tonight we’re gonna party like it’s 1989.”
This is a song I can play all of, in my head, without hearing, just by encountering part of a phrase like “I guess it’s not that funny, but I’ll say it anyway,” or “the joke is that the stereo just ate the mixtape that you made.” And if I could figure out how to delete it from my state of the art iPhone I could remove it, and make some other song the one that gets picked first all the time.
Because of the pandemic, the Bacon Provider has gone from traveling regularly for work to traveling never for work, and so I see him in person, on weekdays, in the middle of the day, making coffee or tea in the kitchen, and this is the new normal. And you know what I found out? He gets Johnny Cash songs stuck in his head, as well as the Cure, and now, thanks to my shout-singing that one Clem Snide song, 1989.
How are you marking your pandemic anniversary?
We are making maple syrup.
I had my last meal in a restaurant March 9, 2020. It was lunch. In retrospect, I wish I had had a glass of wine. At least I had dessert.
I had my last acupuncture appointment December 13, 2019. I frickin love acupuncture and when twenty minutes of solitary deep breathing in that tiny, warm, dark, windowless room with twenty-one slender needles stuck in my limbs while I lie listening to new age whale-song music seems like less of bad idea, I’ll be back on that jam. Like butter on hot toast.
I had my last haircut in a salon November 18, 2019. The stylist ignored me and spoke to the other stylists while he worked, and dried my hair in the particular kind of long, smooth, loose waves that I would love to know how to do myself but cannot seem to master. Today my hair is so long it gets caught in jacket zippers and chair backs. It is so heavy it works its way out of ponytails. It is entirely too long, just like the pandemic itself. I might wake up tomorrow and cut it all off myself.
The thing about mixtapes, though, if you ever gave me a mixtape, I probably still have it. I even have a few mixtapes that you didn’t give me, but you left them in the Bacon Provider’s car when he took you to the Snow Bowl that time you went skiing with him, or you popped into my boombox while we drank Mooseheads out of my dorm fridge and I never gave it back.
Ten years ago this month I started to have an inkling that our time in Seattle might be ending, after 18 years, and I set about giving away piles of old toys and thirty-one cartons of books and a small mountain of obsolete technology garbage. I follow some people on Twitter who are really into old tech, and I regularly admire the their efforts to restore the crap that used to take up room on the shelves in my basement. But when it came to the cassettes, it was another story.
The handwriting from my friend K on the copy she made me of the then-rare Nilsson’s The Point or her annotations on Lou Reed’s New York, or my other friend K who made me a tape of several Elvis Costellos and a greatest hits of the summer of 1982, or the splendidly varied mixes created by my brother C stopped me. They weren’t especially large, or numerous, and they were made for me.
My favorite mixtape as I recall was one that lived in the Bacon Provider’s college wheels for as long as he had that car, and it had to be rescued when we traded in the Mazda. It was a Maxell, C90, the kind that played and played, and while it had two Bob Marley albums crammed onto it, it also had some Sugar Hill Gang and ended with a fragment of a song that I can’t quite remember. If we can find four working AA batteries we might be able to play this tape on one of the only pieces of obsolete technology the Bacon Provider saved.
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