What I saw: “Man of Good Hope” at the BAM Opera House in Brooklyn, NY
“I think this is an opera house.
See how it says ‘opera?'”
What I did beforehand: drove to Brooklyn, being re-routed twice, and arriving to discover that the parking garage described on the website did not exist (and there was a coupon you had to print out to use it). Also, there was a Rangers game at the Barclay Center, so the streets of downtown Brooklyn were full of sober, pre-game hockey fans.
What I wore: Chinese-made Australian boots, favorite jeans, Tanner indigo belt, feelings sweater, earrings that kept trying to fall out.
Who went with me: my dear friend W., who was born in Zambia.
How I got tickets: online, when I realized I would not, as promised, be able to take her to the recent revival of “Master Harold and the Boys” because those tickets were $30 and they sold like hotcakes.
Why I saw this show: I am a sucker for a story about refugees.
Where I sat: Mezzanine Row A, seat 18
Things that were sad: stories about refugees are always filled with death and fear and loss and terrible set-backs.
Things that were funny/not funny: the part about the little boy living on the streets of Nairobi who went from one house to the next and every night had a dinner with a different family, and the song about how America is safe, how there are no guns here, how everyone drives big trucks and everyone is rich.
Something I ate: hummus and pita chips, standing in the lobby, while trying to balance a beer in my other hand.
What it is: a profoundly moving, engrossing, and lively production, featuring African music and dance and a refugee story that is both utterly like and unlike any others.
Who should see it: people who, like me, believe that all shows should have live music; people who, like me, believe that if you are going to have live music you must place the musicians where the audience can see them; people who, like me, who are working very hard right now to remember what good things America is supposed to represent to people in the rest of the world; people who, like me, know and love several immigrants.
What I saw at home, two days later: W. texted me that she was still thinking about it.
I am, too.